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Posts tagged yoshimi

Matthew Young

Yoshimi! – Milkshakes at the Pizzeria

Yoshimi!

This album was made by a gentleman called Niek from Holland, who I’ve exchanged emails with on a few occasions, who I’ve reviewed a couple of times and, after initial misgivings, whose music I have come to enjoy more and more.  I like it when that kind of thing happens – when you can actually watch an artist develop like this.  Much like the way I’ve been allowed to watch this album grow into being from a handful of demos about a year ago.

It’s pure bedroom recording, this whole thing, sounding like every last beep, scratch and piano chime was created on a laptop, resulting in a slightly tinny, wobbly album of DIY pop music which manages to shine by embracing its shortfalls, rather than by worrying about them unduly.

And as a pop album this works surprisingly well for something so obviously self-recorded.  There’s an eccentricity to some of the tunes which really suits the recording style, but plenty of songs I could easily imagine being bigger and shinier and so becoming really rather radio friendly.

This is not to suggest that the album is sunshine itself, blanketed by a layer of fuzz, because it isn’t.  It’s blanketed more by a layer of melancholy and uncertainty.  There is plenty of pop here, but there is also a fair bit of tense, fuzzy unease, and there are times when I find myself slightly wishing there was a little more of the former than the latter, just to break the mood a little bit.

Still, that would be wishing for a rather different album, in a sense, which I would not do at all because I am really enjoying this one, despite its flaws.

Yoshimi! – Song For Suzy

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Yoshimi! – Season Song #4

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Matthew Young

Toadcast #74 – The Poolcast

Toadcast

Mrs. Toad and I might be gallivanting about the Italian countryside, but we are still thinking of you, our loyal Toadlings. We may be relaxing by the pool, but we understand that life might not be quite so easy for those of you at home. Actually, fuck it, life is never this easy for us either. This is like some bizarre anomaly for us – time, peace, reading books… it’s all so fucking restful I’ve almost forgotten to swear at the locals.

The place we’re staying is just plain ridiculous. We are living in what amounts to the tiniest of little comedy garden sheds imaginable, but the outside space is some great big gigantic plaza. It’s just ridiculous.

Fortunately, there is something to lower the tone. Nature is basically a great big urinal, as we all know, and I have been doing my best to maintain a time-honoured male principle of ‘no place being too sacred or picturesque for having a sly piss’. So when the bladder beckons, so does the wall, and there I go to water the olive groves of Puglia. It feels like a public service, really it does.

Thanks again to Euan and the lads for keeping things going while we’re away. The connection here is so damn slow I really haven’t been able to read it all, but Mrs. Toad periodically checks up on things on her Blackberry (the woman’s insane) and lets me know how things are going. This news I generally treat with an indifferent grunt, before returning to the pondering of precisely which sort of cheese I most fancy for lunch, but I appreciate her efforts.

Toadcast #74 – The Poolcast

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01. The Shaky Hands – Summer’s Life (03.26)
02. Lemonjelly – Spacewalk (12.45)
03. Grandaddy – Ghost of 1672 (19.44)
04. Billie Holiday – Good Morning Heartache (24.36)
05. Animal Magic Tricks (with Neil from Meursault & Pete from The Leg) (34.42)
06. Edith Piaf – C’etait Une Histoire D’amour (38.11)
07. The Flaming Lips – Can’t Get You Out of My Head (48.12)
08. Wilco – Jolly Banker (52.17)
09. The Laurel Collective – No Pirates Left (63.04)
10. Yoshimi! – Philosophy For Fangirls (69.12)

Matthew Young

Toadcast #32 – The Tribecast

Toadcast

Hello, more Toadcastery. I’ve, erm, focussed on Dadrock for this one. Not too much of it on the playlist, fortunately, although there’s a couple of well-known names on there. In my defence though, I couldn’t bring myself to feature Coldplay, so I was forced into the compromise of playing an almighty butchering of one of their songs by the splendid Richard Cheese.

Basically I spend most of this podcast trying to justify the presence of so much bland music in the charts and how the hell that came to pass. There’s plenty of chatter about how music is used as a sort of social glue as well, in which case the quality of the stuff becomes almost secondary. There are some really good new bands on this as well – The Velcro Quartet are particularly brilliant, as are the songs by Mumford & Son, Yoshimi! and Honeytrap. Enjoy responsibly.

Toadcast #32 – The Tribecast

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01. Hercules & Love Affair – Hercules Theme (01.32)
02. The Velcro Quartet – Dead Dog’s Hill Replaced with Johnny Cashback, at the band’s request. (07.53)
03. Seabear – Teenage Kicks (11.17)
04. Athlete – Shake Those Windows (21.02)
05. Richard Cheese – Yellow (30.31)
06. ESL – Czarne Oczy (31.59)
07. Emiliana Torrini – Me & Armeni (39.50)
08. Fleet Foxes – White Winter Hymnal (43.24)
09. Snow Patrol – Last Ever Lone Gunman (48.11)
10. The Killers – All These Things That I’ve Done (58.17)
11. The Pictish Trail – All I Own (66.52)
12. Mumford & Sons – White Blank Page (73.01)
13. Honeytrap – Song For Nona (82.17)
14. The Velcro Quartet – How to Kill Your Wife (87.04)
15. Yoshimi! – Song For Suzy (Demo) (94.34)
16. Frank Turner – The Outdoor Type (100.34)

Matthew Young

Yoshimi!

Yoshimi

No, nothing to do with The Flaming Lips, Yoshimi! is bedroom electronica from a lovely chap in the Netherlands called Niek who sent me some stuff a month or so ago.  He first contacted me some time last year actually, and I wasn’t particularly keen on what he’d done so I told him so and wished him luck.  Well, a few months stewing away and we have three more tracks to listen to and I would say there’s definitely a big improvement.

The thing is, I say ‘improvement’ and of course all I really mean is ‘I like it more’.  I know I don’t state this often enough, although I hope those of you who know me will have assumed it anyway, but I’ve never thought of the opinions voiced on this site as representing any sort of Universal Truth.  I mean, truth in my world perhaps but, never mind Rhianna or Kanye West, I don’t even like Hot Chip and nearly everyone I know does, so I can hardly claim to have the handle on some sort of elusive Zeitgeist or anything like that.

The other thing is that beyond ‘I like this, but I don’t like that’ I actually know nothing at all about music.  So when Niek kindly asks if I have any feedback or advice I start to feel a little uncomfortable, because I am not sure if what I manage to come up with should be taken at all seriously by an artist who is experimenting and trying to find his voice.  It’s his journey, I guess, not mine and as such I am not sure I really should be interfering because I doubt it would be helpful.

He asked though, so here goes, I shall do my best.  Firstly, I think it’s a big improvement and there is definitely stuff in there that I like; in fact some of it is excellent.  It’s a sort of scratchy, ramshackle electronica which stutters on, and occasionally weaves in a pure pop hook which is just enough to pull the music out of the meandering and borderline impenetrable and into something you can imagine singing along to.

Song For Suzy in particular has the core of an excellent pop song if you ask me.  It’s sprightly and instantly catchy, despite retaining a really nice DIY atmosphere.  Philosophy For Fans is a little dreamier and has a touch of twee.  The female vocal is a nice touch too, although I would be tempted to make her voice a little more dominant and full in the mix.  It’s slower-paced as a song, and counterparts nicely with the more skittish energy of Suzy.

The one I’m less sure about is perhaps Ow.. because I think it starts a little sluggishly.  The music itself is kind of slow, so the deep, lethargic tone of the ‘Ow’s seem to make the whole thing a little stodgy.  I’d be tempted to put some sort of element in there somewhere that is perhaps a little peppier, somehow.  I’m not sure what that is, though.  Once the male-female vocal interplay gets going, however, we have another pretty good song on our hands, I think.

In any case, it’s really nice to see Niek getting better (in my eyes) and pulling together a nice collection of songs.  It reminds me of something I read on a blog ages ago about how the immediacy of music these days can be damaging for a band – it’s possible to get the first, roughest, crappest bedroom recordings out on MySpace and be heard, judged and condemned on the strength or lack thereof of the first thing you ever recorded.

Broken Records have a couple of really quite crap songs back from when they were starting out as a band and still pulling together what they wanted to become.  Had these been the songs that made their way out there, then I can imagine it might have made breaking through quite a bit harder.  Every band and every musician needs the time and space to make their mistakes, experiment a little and to crystallise what it is they are trying to achieve.  Yoshimi! are taking that time, and I think it’s paying off.  So thanks, Niek, I am liking these and I’ll be interested to hear what else you come up with.

There’s plenty of other stuff to download from his website, incidentally, so go along and help yourselves to some free downloads.

Yoshimi! – Song For Suzy (Demo)
Yoshimi! – Philosophy For Fans (Demo)
Yoshimi! – Ow… (Demo MIXIE)

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