Song, by Toad

Posts tagged zed penguin

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Ides of Toad in the New Year

Alright, I know that by the end of January you are supposed to stop using terms like ‘new year’ but I reckoned it was about time for an update on these matters, and that seemed the most appropriate way of phrasing it.

So, with a flurry of album launches coming up in the late Spring/early Summer, we have a small but exciting fistful of gigs to tide us over until then, which I will list below.  Apart from the aforementioned launches, which we’ll generally try and do somewhere a bit strange, I am looking at putting on as many of my events as possible at Henry’s this year.

This is for numerous reasons, but chief amongst them Nora and Claire have been there at every gig and have been a real pleasure to deal with.  When you’re a relatively rookie promoter, having sound engineers and venue managers who just take care of shit in the calmest possible way makes a huge difference, leaving you to panic about attendance at your leisure.  Also, I just kinda like the place.  It’s scruffy, sure, but in many ways it’s a classic dive bar – it’s where gigs should be taking place.

Anyhow, our first gig is in a few weeks and it will be Armellodie Records’ Chris Devotion and the Expectations but umm… well, I’ll write down a handy list for you because, maybe even more than it loves kittens, the internet just loves lists doesn’t it. And as per usual, all tickets will be available from Brown Paper Tickets, and from Avalanche Records down on the Grassmarket.

Saturday 18th Feb: Chris Devotion and the Expectations, My Tiny Robots & Morris Major.

Chris Devotion and the Expectations have a new album out on the brilliant Armellodie Records, and will be playing some dates to support the release.  Their smart, slight stylised indie pop should work well with My Tiny Robots, who are also rather stylish indie poppers, albeit in a rather different way.

Friday 24th Feb: The Pineapple Chunks, Brown Brogues & Zed Penguin.

Er, ramshackle and idiosyncratic – is that the best way to describe this lineup?  I think it might be.  Zed Penguin have a new EP and a new full band lineup, and Brown Brogues a new single on the way, so this should be perfect timing.  All these bands make a bit of a racket, and none of them seem entirely right in the head, which er, well, should probably make for a brilliant night I reckon.

Saturday 25th Feb: Louis Barabbas and the Bedlam Six, Skeleton Bob (I think) and Lee Patterson at the Third Door.

Louis Barabbas were absolutely mental and absolutely brilliant when they last played Edinburgh, in the middle of last year.  They’ll be joined on the bill by Lee Patterson, who I first happened across at this year’s Antihoot in the Summer, and hopefully Skeleton Bob.  Actually, for all they said ‘yeah, awesome’ when I asked them to play, I have yet to get proper confirmation from Skeleton Bob actually, so I’d better get on top of that, now that I think about.  Also, please note that this gig is at the Third Door, not Henry’s.

Friday 9th March: So Many Wizards and LeThug.

This will be a pop night, sort of.  All the bands take their pop and make it weird, be it by fuzz or by skewed eccentricity.  So Many Wizards are over touring from the States, and LeThug are a really promising new Glasgow band I wrote about on Song, by Toad recently, and if you haven’t already checked out their stuff then you should.

Saturday 24th March: Post War Glamour Girls, Dolfinz and Slowcoaches.

Two Leeds bands accidentally ended up on the same bill here, so I hope they get on. Dolfinz are favourites of ours already, as you know, and they are touring with Slowcoaches, so you can expect some fine, garagey racket from those two.  Post War Glamour Girls are just a tad more restrained and stylish I think

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A Little More of This, Please, and a Little Less of That

I am not doing predictions, mostly because I can’t.  I have no idea what is going to be big this year and what isn’t, and even if I think a band is going to release something amazing that probably doesn’t matter, because bands I love rarely ever get all that famous anyway.  But in any case, and in no particular order, here are some things I liked about last year, and some things I didn’t.   Some stuff I’d like to see more of and some things I am looking forward to, and some things I am not.

“Something wicked this way comes”

(And by wicked, I mean good, I hear that’s how the kids are using the term these days)

Tape labels - I know they’re a little contrived, and that tape is in many ways a shit format to release on but… I don’t know, there’s a playful, youthful energy to this stuff which I can’t help but love.

You’re shit, and you know you are - Okay, so we may have swallowed an awful lot of guff this year, but it did make me laugh how most people’s reaction to pompous, self-important garbage like (Viva) Brother was to point and laugh.

The X-Factor - you know how you all complain about that shitey bar full of guys in Ralph Lauren shirts or stupidly tight t-shirts, or girls with ironed hair in tight jeans who seem to forget that Footballers’ Wives was over fucking years ago? Well the X-Factor is a bit like this.  Yes, it’s fucking woeful, but it’s destroying the major labels, clearing the ground for the interesting indies and acting as a very helpful retard-sink for people who might otherwise be bothering us with their opinions about real music.  And for this I salute it.

Recognition for our fucking bands! – King Post Kitsch proved that even if you never play a single gig, and even if you release your album really early in the year you can still get great press and end up on loads of End of Year lists.  Lach got in every glossy music mag in the country – yes, that’s right, all of them.  The Japanese War Effort proved that even if you get almost no press, if people like your stuff enough then social networks can be just as effective, if not more so. And Rob St. John showed rather decisively that even if your PR lady craps out on you mid-campaign, if your shit is good, when it hits the fan it will go absolutely fucking everywhere.

“I’ve only got three bullets and there’s four of Motley Crue”

(If I were the grim reaper of the music world, these would be the first for the chop)

Soft pop – Right, I know we’re all trying to be awfully grown up, but describing the sort of lifeless, limp, soulless, anaesthetic musical tapioca quicksand released by the likes of Destroyer, Iron & Wine and Bon Iver this year as ‘mature’ is pretty much saying that you don’t have the courage to admit to yourself or anyone else that it’s basically just boring shit.  Just because we wanted these albums to be good doesn’t mean they were.  They are the sort of detestable eighties soft pop people you hate in eighties movies use to lure away the our hero’s beloved.  And they, not the time you drove your Chevy to the fucking levee, were the day the music died.

Lana Del Rey’s insufferable pouting - I’m not sure which gender her over-sexualised pouting or arch, faux-ingenue caricature insulted the most – it was like a small-child-with-explosive-diarrhoea-and-no-shorts-on-playing-on-a-roundabout scattergun of sexist cliches. Although I do find myself developing some pity when I see her dead behind the eyes, middle-distance stare which seems to be begging someone put her out of her ‘there’s not enough Vicodin in the world to take away the pain of what I have become’ misery.

The awesome pulling power of dismal ‘heritage bands’ - The Stone Roses whored for the most headlines in 2011, but they are far from the only example of what I can only describe as WHO FUCKING CARES music.  Watching a bunch of ageing has-beens cover their own songs is a pretty limp excuse for an evening’s entertainment if you ask me – wouldn’t you be better off just sitting at home and playing the fucking CD?  People who go to this shit don’t care at all about music, they just wish they weren’t as old as they have inevitably become.  Tough shit Grandpa, accept it and fuck off to Switzerland while you still have a sliver of dignity left intact.

Ed Sheeran - I want his severed head in a box on my desk by Monday, please.

The BBC’s apparent determination to undermine new music - when they couldn’t get rid of 6Music, they turned their sights on Introducing.  I thought the BBC was there to support grass roots cultural development, not pull the fucking rug out from underneath it.  And if you want to encroach less on the commercial sector (and get beyond the age of fifty without succumbing to the inevitable and wholly justified urge to remove all your clothes and walk off into the Arctic wilderness alone, with nothing to keep you warm but a half-empty bottle of Famous Grouse, as a sort of mea culpa for the scorched Earth combination of cultural rape and mass lobotomy you have parasitically inflicted upon the nation) the just save the money by setting the set to Strictly Come Dancing on fire during the filming of the next series.

“Don’t Let the Record Label Take You Out to Lunch”

We all know record labels are evil.  But these aren’t.

Night People - incredible hand screen printed vinyl and tape releases.  A lot of it is experimental, and so sometimes a little bit too ‘challenging’ for my nice, safe pop ears, but that just makes it more fun really.

Sways Records - lovely people, and working with bands like Weird Era, Ghost Outfit and The Louche FC.  And they sent a little cuddly ghost plush toy, hand made no less, with the Ghost Outfit single.  A cuddly ghost.  Case closed.

Empty Cellar - Discovery of the year, for me, this lot. They had something like four albums in my Best of 2011 list, and pretty much everything they release is on gorgeously-designed vinyl.

Art is Hard Records - okay, so they’re very, very new, but they’re also very promising.  As well as The Black Tambourines, they’ll also be working with Yoofs and Joanna Gruesome in 2012, which is a fantastic roster.

Scottish labels - yeah, they aren’t getting mentioned here.  Everyone knows I love Fence, Chemikal, Gerry Loves, etc etc so there’s no need to harp on about it again.

“Baby, You Could be Famous if You Could Just Get Out of This Town”

I don’t and won’t ‘tip bands for the top’, because bands I like rarely ever get at all famous, but I can tell you about bands whose new stuff I am very much looking forward to.

Easter - It’s hard to say what they’ll actually achieve. As they’ll be releasing their debut album on a tiny indie I doubt it will make massive waves, but it definitely deserves to.  Their gig with the John Knox Sex Club and Fuzzystar was one of the highlights of last year’s Ides of Toad shows.

PAWS - After getting Scottish music audiences all excited in 2011 it feels very much like it’s time to see what PAWS really have in the locker.  They’re recording an album, doing it with a very decent label indeed, and now we’ll see if they can turn a series of brilliant pop songs into a proper record, and what the rest of the country makes of their amazing live shows.

Jonnie Common - A little like Rob St. John with Song, by Toad, when someone like Jonnie does as well as he did on a small (but brilliant) record label like Red Deer Club I can’t help but wonder what he might have done had he been on someone bigger and with a little more resource.  It’s all idle speculation of course, and I have absolutely no intention of insulting Red Deer Club, but Master of None did have that ‘could be massive‘ feel to it.

The Black Tambourines - With three EPs and a single to their name already, The Black Tambourines are probably at the same level as PAWS, in that it’s probably time to record and album and see what they can do. They were absolutely fucking great when they played here in December though, and more people really do need to see them.

“Maybe it’s Scotland That I Hate”

The Scottish Music Scene (TM) has been pretty thin of late, if you ask me, but there have been some promising glimmers here and there.

Evil Hand/Bottle of Evil - I am lumping these two together because they have a personnel overlap of (I think) 50%.  It’s not always gripping, and because they tend to release things for free I will confess I am not sure the quality control is always what it might be, but when either of these bands actually nails it they produce some absolutely great stuff.

Spook School - It’s very retro, but not in the Surf+Stooges+Pavement way a lot of lo-fi stuff is retro these days.  No, this is indie-pop retro, with a touch of the early nineties, early Britpop guitar bands about them as well.  They’re quite fresh out of the box, and not quite the finished article yet in my view, but they’re cracking live and have some fine tunes.

Pet - I am not sure if these guys even exist anymore, but they have definitely had something of a staffing crisis recently.  If they have packed it in it would be a most spectacular implosion for a band who went from my Twitter feed to 6Music to the NME in the space of about a month when they released their first single in the middle of last year.

PAWS - I have to thank Olaf from Born to Be Wide and Andy and Paddy from Gerry Loves Records for getting me into these guys.  Unquestionably my new Scottish band of the year for 2011, and I am really looking forward to seeing what they can do with a little more resource behind them.

Palms - From one single song I can’t, and shouldn’t, draw too many conclusions, but it is such a very, very good song!  And with an endorsement from Tracer Trails’ Emily Roff, I find myself very much looking forward to their Ides of Toad show on February 24th.

John Knox Sex Club - An absolute beast of a live set and a brilliant album, and suddenly a band who I don’t think wanted to do a lot of the ‘normal band stuff’ when they started out have proved themselves better at normal band stuff than most of the ‘normal’ bands out there.

Zed Penguin - Alright, Matthew Winter’s stuff might be a little rough around the edges for a lot of people, but umm… well, I just like it.  It’s raw and can be really quite harsh live, but on his two EPs (one of which is yet to be released) so far he has produced some fucking great songs. I can’t see him ‘making it’ per se, but I can seem him making a lot of music that I fucking love so, er, balls to it, that’s good enough for me.

“All I Want for Christmas is a Dukla Prague Away Kit”

I might not become rich or famous in 2012, but I have a short list of modest ambitions…

To insult someone live on air - I haven’t yet had the chance to call someone out for talking absolute bollocks in a particularly public setting yet, but it would be quite fun.  It’s a tricky balance this, though, because you have to deliver a definite put down without ever seeming vindictive or angry, because that makes it look like you’re trying too hard – just a simple, matter of fact, irrefutably logical smackdown.

For some retard to announce that they’ve ‘discovered’ us - By this I mean not in the incredibly generous way Andrew Collins has talked about discovering Song, by Toad stuff.  No, more like someone who’s paid us no attention at all for the last five years to suddenly become a rabid fan in that creepy way people do when they seem to want some sort of ownership of something.  They do it in a way that implies that their excitement is more about how amazing they are at discovering shit, and not really all that much about the hard work of the people they are discovering. Mostly I just want this so I can tell them to fuck off.

Someone somewhere to add up all the Scottishness - Specifically, I would like someone to add up the number of times Scottish music blogs refer to the Scottishness of the Scottish bands they write about in 2012. I don’t want analysis, just a number.  I bet it will be a very, very big number indeed.

The NME to redesign its front cover - We all know that the NME is just Heat for music by now, don’t we?  Like Grazia for try-hard, middle of the road, not-even-hipster fashion drones.  So with this, it should really just fess up and redesign its logo in red and white like the rest of the weekly frotherati.

6Music to broaden its playlists a little - Don’t get me wrong, I fucking love 6Music, but I would like to see a little more variety in there, rather than just music aimed at, well, people like me I suppose.  How about some really old blues stuff, or non-corporate hip-hop or stuff like that.  Their daytime programming is still really quite bland. It sounds ridiculous, but I actually wish they played just a little less music that I like.

For Jools Holland and Lady Gaga to have a baby - Just to see what sort of deformed little homunculus they’d produce, really.

For Song, by Toad Records to find another thousand-seller - All but one of our bands sells albums in the hundreds.  This is absolutely fine, and we don’t want to make people think that we worry about commerce before deciding to release someone’s album, but it would do our financial health a world of good to have just one more band on the books who could shift records in four figures.  Until then, of course, limited edition vinyl it is!  On the subject of which…

For the world of music buyers to make up its fucking mind about formats – Yes, I know, tapes are fun and we all love vinyl most of all, but honestly, it’s expensive and it sells really slowly.  So if you want vinyl, make everyone else start buying it too.  And if it’s just another passing retro-fetishist fad can we all just get over it quickly so I can start releasing records on formats that might actually make us some money please.

More people to come to our gigs -  Just saying.

People to realise how fucking awesome the Toad Sessions are - Honestly, they shit on pretty much any other session out there a band could do.  So albeit on a slightly more needy level, again, just saying!

Someone I really like and who really deserves it to really crack it and start making money - This could be anyone, honestly. Imagine how cool it would be if the next Pictish Trail or Withered Hand album went absolutely massive, for example.  Or Jonnie Common.  Or Sparrow and the Workshop.  Or if Cloud Sounds got picked up by Radio1.  Or if Gerry Loves Records were offered a massive investment from Beggars Group and told to release what they wanted.  Or if Bart Owl replaced Simon Cowell on the X-Factor. Wouldn’t it be fucking fantastic, for example, to see someone we all know and love play in and fill a massive fucking venue and have all the vapid London chatterati falling all over themselves arguing about who discovered them first.  Ain’t going to happen of course.  But that’s what we’re all in this for isn’t it, really: unrealistically ambitious daydreaming.

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Song, by Toad – Festive Fifty 2011 31-50

Here’s the first installment of the Song, by Toad Festive Fifty for 2011 – a collection of the fifty songs I have been enjoying the most this year.  The fifty themselves and the precise order can hardly be described as definitive of course, because you know how fluid things like ‘favourite’ songs can be, but roughly speaking this is the stuff I have been enjoying the most in 2011.

Just as a note, in order to make it a broader representation of the bands I’ve liked the most, I have made it harder and harder for bands to have a song featured on the list the more they already had on it.  So a band’s second song got a relatively free pass, but their third would be nudged down a wee bit, to try and encourage variation and stuff like that.

31.Anna-Anna – Mirrors of America I’m aware there are very few women represented on this list, and a lot of those who are seem to share the ghostly, incredibly still delivery, albeit in a more folky setting, with Anna-Anna.

32.Sonny and the Sunsets – Home And Exile I could have half of this album on here, but this one always stood out, as a gem of retro, slightly woozy pop.

33.Quiet Americans – Summer House Straightforward lo-fi garage stuff this, but a hugely, hugely hummable tune.

34.TV Girl – Benny and the Jetts Simple and enjoyable summery pop, but another one so hugely infectious you simply can’t stop humming it.

35.Yoofs – Sidewalk I love the guitar effect, the riff, the energy, everything.  Keep an eye out for this lot on the brilliant Art is Hard Records in the new year.

36.Zed Penguin – This Town A bit of a departure for an Edinburgh band, this. I think my favourite part might be the gorgeously tremulous guitar sound Matthew gets from his hand-built amp.

37.David Thomas Broughton – River Lay On an album as good as Outbreeding it takes an awful lot to stand out, but this does.  For someone who can be a little obtuse, this is such a warm, welcoming record and this track epitomises it as well as most.

38.Evil Hand – Returned In Time These guys don’t exactly push themselves forward, and their releases can be a little erratic, but when they nail it their songs are as good as anyone in Scotland at the moment.

39.Powerdove – Sickly City Ghostly, slightly disorientating, and hypnotic.  This is possibly the finest song on an album which makes a gorgeous job of using minimal instrumentation and glacial pace to turn those three characteristics into a truly beautiful album.

40.Emit Bloch – Dorothy (New Version) Given how much I loved the gorgeous acoustic version of this song which I heard last year, it’s almost inconceivable that I should then also love a big glossy pop version too.  But I do.  Good songwriting, it seems, trumps even my lazy habits.

41.The Honey Pies – Hair of the Dog Boisterous and enormous fun, this album is a gleeful romp through rock ‘n’ roll cliches, but done with such verve that you can’t help but enjoy it.  This is a bit of a Clash throwback, the most raucous song on the album and probably my favourite.

42.The Low Anthem – Ghost Woman Blues After the genius of Boeing 737, The Low Anthem show they can have just as much impact at the opposite end of the spectrum with this gorgeous ballad.

43.Loch Awe – I Will Drift into 10,000 Streams For a band who do things I like and things I don’t, this demo came out of nowhere a few months ago, and I love it.  The slow drum beat, the really sparingly used electric guitar, the way the two voices work together… fine work!

44.The Blue Runes – Stream For me to get into a classic/psych rock EP made by a band from Puerto Rico wouldn’t have been a particularly great bet at the start of the year, but The Blue Runes released a brilliant EP, and this track is probably the biggest track on it.

45.Adam Stafford – Shot-down You Summer Wannabes A cracking song by a guy whose music I only got into embarrassingly late in the day, considering how long ago his debut solo album was released.  Nevertheless, a couple of storming live performances did the trick, and I am now entirely converted.

46.Horsecollar – Christopher A jaunty little piano line stands out immediately, but the rest of this song is bloody great too – a presumably unheard monologue delivered to a friend, and a stand out on a fine album.

47.Timber Timbre – Creep On Creepin’ On A gorgeous song on a gorgeous album.  This record is a little more approachable and a little less creepy than the last, and lush, lovely songs like this one are the reason.

48.Lady Lazarus – Nazarite Oath Ghostly, unsettling and lovely at the same time, this has a lot in common with the excellent Powerdove.

49.Silverbacks – Atta Boyz Simple this one: a cracking pop tune, good riff, and extremely hummable.

50.Pet – What You Building Another song which came as a bit of a surprise, given Edinburgh doesn’t generally do this kind of music all that well, but this is lovely.

Zip file download: right-click, save as.

1-10 | 11-30 | 31-50

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Friday is Pestering Fresh Air Radio Again

 Helloooooo… once again Brian and myself will be gracing, if that’s the right word, the airwaves of Fresh Air Student Radio this afternoon.  We will also be introducing a new member of the team, the lovely and lively El Parks, who you might know from The Electric Circus. And if you don’t, you’ll soon know her from the show.

As per usual, the show will be kicking off at half past three this afternoon, and we will guide you lovingly through the last couple of tedious hours of work, before pub o’clock sweeps in like an avenging angel of inebriational joy to rescue us all from another week in our dingy offices.  Or wherever it is you happen to be foostering about this week.

On air from 3:30om: listen live here.
Or iTunes: Radio – College/University – Fresh Air, The Alternative

In the meantime, it’s de-lurking time on Song, by Toad, as it always is on Friday afternoon.  Those of you who fly by and point an laugh, why not take the chance to fritter away your afternoon answering the following five daft questions.  And then listen to us on the radio, because it will be awesome.

1. Expression or word you use all the time which you wish you could stop using.
2. Thing you wish you could have been the one to discover.
3. One great thing about living hundreds of years ago.
4. And one bad thing.
5. Coffee break routine.

The playlist for the radio show will appear live below as we go along:
1. Zed Penguin
2. PET – What You Building
3. Grandpa Was a Lion – In a Dream
4. Lady North – It’s All About Gettin’ That Claude Monet
5. Weird Era – Summer Heights
6. Samantha Crain & the Midnight Shivers – Get the Fever Out
7. Plastic Animals – Pirate DVDs
8. Mastodon – Black Tongue
9. Magic Arm – Daft Punk is Playing at My House
10. Luna – Sweet Child O’ Mine
11. Jack Steadman – Beatplate (Remix)
12. PAWS – A Romance in Lower Mathematics

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Live in Edinburgh This Week – 23rd May 2011

And as May turns into June… Spring inevitably turns into November.  Fucking great, Scotland, well done.  Thanks.

Anyhow, you’d think putting on a gig on Tuesday, for all its drawbacks, would at least leave you relatively free of competition but this week, for some inexplicable reason, there are two absolutely cracking gigs on Tuesday night.  Other than that I have to confess I don’t see much on at all this week – neither in my quick skim through the websites of Edinburgh’s venues, nor in my own Facebook events calender.

In fact, am I the only person who still pays attention to event invites on Facebook?  I mean, it’s kind of my job, but when I send out invites for Toad events most people tend not to reply at all, although I suppose that doesn’t mean they don’t read them.  In any case, I have every sympathy.

Monday 23rd May 2011: Villagers at the Liquid Room.

I was never all that taken with Villagers, I have to confess.  I liked what I heard of their stuff, but it didn’t exactly thrill me, if I’m being honest. Nevertheless, I’ve heard some very complimentary words about them around and about so I thought you might be interested in this one.

Tuesday 24th May 2011: Sparrow & the Workshop, Haight Ashbury & The Stormy Seas at Sneaky Pete’s.

Sparrow are touring their new album around the UK as of this week, and I am really looking forward to seeing them live again.  Jill’s singing is more forceful than ever, and the guitar and drums are getting just plain ferocious, and they have always been an immense live band.  But they clash with The Lovely Eggs!  The bastards!  What to do?

Tuesday 24th May 2011: The Lovely Eggs, Kid Canaveral, Cancel the Astronauts & Zed Penguin at the Voodoo Rooms.

The Lovely Eggs embody a sort of twee Northern eccentricity which reminds me very, very strongly of the couple of years of my life I have spent living in Manchester.  There are times when I think they might possibly be awful, and then times when I think they might be unparallelled geniuses, but I never quite know what side of that fence I would come down on if forced to choose.  They’re really quite fantastically unhinged live, too, so I strongly recommend getting along to see them.  Assuming you don’t go to Sparrow and the Workshop of course, which would also be an excellent decision.  Aaaaagh, decisions!

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Live in Edinburgh This Week – 11th April 2011

Apparently you people like music and stuff, right – that’s why you’re here?  Well this week I like gardening.  Yes, as if to demonstrate that I am taking all these accusations of being too old and too middle-class extremely seriously, this week I am far more excited about the back garden that I am about music, sorry.

We’ve had a lot of rain this spring, so inevitably when we get a sunny week, as we did last week, everything blooms.  This, I have to confess, as someone relatively new to gardening, is incredibly exciting.  Any teenagers reading this thinking I should be more excited by cocaine and jagerbombs and threesomes with supermodels, honestly, you’re wrong.  Although quite why I feel the need to take pictures of everything with a fucking Hipstamatic I have no idea.  Just one of those zeitgeist reflexes which I find as annoying as I do perversely pleasing.

Anyhow, given Scotland’s propensity for bucketing down with rain just as you get your shorts and sandals on, I am sure I will find time to take in some music.  And should that be the case, here are the directions in which I will be casting my creepy leer.

Thursday 14th April 2011: Paul Vickers & the Leg, Andy Brown & Zed Penguin at Sneaky Pete’s.

On the subject of creepy leering, pretty much all the music on this bill has a pretty creepy leer of its own.  Zed Penguin and Andy Brown play really rather dirty, distorted blues swamp rock, if you’ll excuse the horribly mangled genre tag.  And Paul Vickers and the Leg seem to have intravenously injected Tom Waits’ Black Rider and washed it down with tiger blood, so this show will be great, if something of an assault on the senses.

Zed Penguin – Keep on Truckin’

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Saturday 16th April 2011: The Pineapple Chunks, Billy Liar, Hiva Oa & Inspector Tapehead at the Bristo Hall.

Inspector Tapehead tell me they’re coming through to Edinburgh at the Forest this Saturday, but they aren’t on the listing for this particular bill, so I am not entirely sure what’s going on here. Nevertheless, the two bands I do know (who are possibly) on this bill are very good indeed, and the Chunks have new recordings too, which is very exciting. [Edit: The Tapeheads are playing apparently.  Here is the Facebook page with all the upcoming Forest Fundraisers, for future reference.]

The Pineapple Chunks – Dark Halo

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Sunday 17th April 2011: 2:54, Eagulls & Dead Boy Robotics at Sneaky Pete’s.

It’s difficult to think who in Edinburgh would be suitable for supporting 2:54 and Eagulls, but Dead Boy Robotics don’t really spring to mind, even though they have just added a full-time drummer to the lineup.  They are still, even though they are more air-punchy than ever, much more electronic than either of the other two bands, both of whom flirt just a little with lad-rock, but have plenty of interesting elements to them as well.  It could be a bit disappointing this, but it could be great as well, depending which side of that line the two headliners end up occupying.

Eagulls – Council Flat Blues

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Sunday 17th April 2011: A Hawk and a Hacksaw & Broken Records at The Caves.

I am not sure where the folk of A Hawk and a Hacksaw sits with the modern hipsterati these days. Despite the NME apparently scrabbling about for the next Mumford & Sons I get the impression the hip cats, as it were, don’t really want any folk in their hairspray at the moment. Nevertheless, whether the idea of folk makes you sigh the world-weary sigh that only a twenty-year-old hipster who has just realised that musical fashions may not be for Christmas exactly, but they certainly ain’t for life either, can sigh, I still think a band like A Hawk and a Hacksaw will be absolutely incredible live.

A Hawk and a Hacksaw – Gadje Sirba

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Toadcast #164 – The Roadcast

I really am running out of stupid names for these fucking things.  I’m sure I’m going to end up just numbering them in future, but for now you’re going to have to put up with the bloody silly names I’m afraid.

In my effort to squeeze eleven songs into an hour I actually don’t ramble very much on this one, only to find out that the podcast ends up being much less than the usual hour and a bit, for a change.  Do I really talk so fucking much the rest of the time?

Anyhow, this is a fucking ace podcast of new music.  I don’t generally pay too much attention to how cool (or otherwise) these things might be, but I reckon any haircut merchants out there might rather enjoy this one.  For the rest of you, those without Haircuts with a capital haitch, well, just get on as best you can.  Let’s face it, if I love it all, it can’t really be all that cutting edge, can it.

Direct download: Toadcast #164 – The Roadcast

01. FOUND – Machine Age Dancing (00.25)
02. Girls Names – Seánce on a Wet Afternoon (07.00)
03. Sonny & the Sandwitches – A. Grassley – Throw My Ashes From This Pier When I Die (12.19)
04. The Honorable Worm – Wouldn’t Mind Dying (14.46)
05. Li’l Daggers – Ya Tu Sabe (22.54)
06. The Louche FC – Back Bedroom Casualty (29.27)
07. Milk Maid – Such Fun (33.24)
08. Brown Brogues – Treet U Beta (35.56)
09. The Honey Pies – Hair of the Dog (41.07)
10. Zed Penguin – This Town (46.49)
11. Manners – Knives (56.44)

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Live in Edinburgh This Week – 1st March 2011

Apologies for the late appearance of this post, but erm, gin interfered with my ability to function like a normal member of society yesterday so umm… well, you’ll just have to forgive me I suppose.  Rest assured it hurt me more than it hurt you.

Anyway, it’s sort of a busy week this week, although it takes its own sweet time to get going. Mondy, blah, Tuesday, booring, Wednesday, nah nothing much, Thursday: MAYHEM!  Well sort of.  For me there will the the Wide Days launch at the Teviot during the day, and the Electric Circus in the evening, then my Fresh Air Radio show with Ruth, and then scampering off to the Voodoo Rooms to catch what I can of FOUND’s Factorycraft album launch.

Then we have the Ides of Toad returning on Friday, in Henry’s Cellar Bar this time, which will be a bit of a blast from the past for me.  I went to tons of gigs at Henry’s when I was first getting interested in music in Edinburgh, but that just doesn’t seem to happen so much anymore so it’ll be nice, if a little strange, to be back there. Anyhow, this stuff is all in the Big Ol’ List below, so there’s no point prattling on about it here is there.

Thursday 3rd March 2011: FOUND at the Voodoo Rooms – album launch for Factorycraft, hosted by Limbo.

FOUND’s new album is out on Chemikal Underground, and for those who don’t already know how eye-caressingly lovely it looks, have a bit of a gander here. The album itself is surprisingly more indie rock than I would have ever have expected, and there are some absolute stormers on there.  This album has been waiting to find a home for some time now, and many of the tracks are already firm live favourites – like You’re no Vincent Gallo, f’rinstance.  I am not sure what tracks they might or might not be happy to share at this stage, so here’s a Toad Session version of that song.  The one on the album, I promise you, is very different.

FOUND – You’re No Vincent Gallo (Toad Session)

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Friday 4th March 2011: The Leg, Louis Barabbas & the Bedlam Six & Zed Penguin play The Ides of Toad at Henry’s Cellar Bar.

This one should be a stomper: we have the excellent, raucous Leg, the extravagant, mental Bedlam Six and the brand spanking new Zed Penguin. I’ve not been down to Henry’s for ages, but this should be the perfect gig to return with: loud, dirty and a little bit mental.

Zed Penguin – This Town

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Saturday 5th March 2011: Withered Hand, Zoey Van Goey & O Messy Life play Limbo at the Voodoo Rooms.

This is a joint fundraiser to send Withered Hand and Zoey Van Goey out to SXSW this year, and the latest installment in the Limbo chaps’ frantic start to the year.

Withered Hand – New Dawn

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Sunday 6th March 2011: Dan Michaelson & the Coastguards, The Heebie Jeebies, The Wooden Sky, This Daring Move at Sneaky Pete’s.

This has a touch of Cousteau, a touch of Richard Hawley and even a touch of our own Savings and Loan to it, and for those whose liver hasn’t been utterly obliterated by the preceding three days, I think this looks like a really good bet, particularly if you are looking for something non-local for a change at the end of the week.

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Toad and Ruth on Fresh Air – 24th February 2011

Ruth and I are back on Fresh Air in a couple of hours, so it is naturally time for much rejoicing on the airwaves of the interwebs. In fact, I am sure the internet could barely be more excited about the prospect than it clearly is already.  Can’t you see it trembling with anticipation?

While we’re indulging in hyperbole, incidentally, last week the unbelievable happened: Ruth was genuinely impressed with one of my music choices.  I think it was Do It Every Time by Ringo Deathstarr, but the shock when she raised her eyebrows and said ‘this is really good’ rather than just rolling her eyes and letting out a weary sigh almost knocked me clean out of my chair.

On air from 8pm UK time – click here to listen live.

As per usual, if you have any trouble with the audio stuttering (a problem which seems to be solved now) just pause and un-pause the player, or find us in the ‘College Radio’ section on iTunes.

The playlist will appear below, as we play it, so feel free to stop by and heckle.

1. TuneYards – Bizness
2. Joni Mitchell – Little Green
3. The Honey Pies – Get it Right
4. Dr. Dog – Breeze
5. The Leg – Twitching Stick
6. Zed Penguin – This Town
7. Dusty Springfield – I Thing it’s Gonna Rain
8. Leonard Cohen – Hey, That’s No way to Say Goodbye
9. Seefeel – Dead Guitars
10. David Byrne & Dirty Projectors – Knotty Pine
11. Wolf Eyes – Track 1
12. Active Child – Body Heat (So Far Away)
13. Virgin of the Birds – Love Among the Cannibals

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Zed Penguin – Four Track Mind EP

There’s a lot of talk in the media at the moment about the death of rock ‘n’ roll and whether or not this year will see some sort of rebirth of guitar music and so on and so forth.

The whole debate seems to centre on the wrong subjects, for the most part, not least an awful lot of needless hot air about the NME featuring a band called Brother on their cover who are not very good, have achieved little, and are by all accounts an unspeakable shower of cunts.

All this talk about the coming year is kind of beside the point, if you ask me, and this is something of a non-discussion to begin with.  Music moves in cycles, obviously enough, and we’ve been through times when intricate folk dominated the conversation, to the last few years where more unusual blends of electronica have dominated.

Inevitably, no matter how interesting a particular direction the zeitgeist happens to be exploring, people and bands will inevitably get bored and move onto something else.  As with all things fashionable, this tends to start with a persistent series of whispers, before suddenly becoming an avalanche of the obvious.

When you look at some of the stuff the ultra-hip London indie Tough Love Records was releasing last year – Male Bonding and Girls Names, for example – it seemed obvious already that the fashionable love of lo-fi which so dominated the last year was bringing, along with the often rather tedious Chillwave bands, a healthy new bunch of raucous guitar bands to the fore.

Since I moved to Edinburgh I’ve haven’t seen a lot of guitar bands – in the rough-as-nuts garage sense – that I have really thought much of, but there are a couple of quite promising ones I’ve come across recently which suggest that this might be about to change.

Zed Penguin is not rough in the ear-splitting, death-by-moshpit sense, but the guitar sound is unrefined and fantastic.  The amp is homemade apparently, and the sound that comes out of it is bloody gorgeous.  It reminds me of a slightly less explosive relation of Waylon Thornton & the Heavy Hands, which I reviewed recently, and growls along really nicely.

This is a simple little EP, four tracks recorded on a four-track, and available to download from Bandcamp for £1.50.  I was sufficiently impressed with it the first time I heard it that I invited Matthew to play at a Toad Night more or less immediately – he’ll now be sharing a bill with Louis Barabbas and the Bedlam Six on the fourth March at Henry’s Cellar Bar, and I am really looking forward to seeing this stuff live.

Zed Penguin – This Town

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